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Allegro Con Brio. Cadenza: Beethoven - Beethoven*, Mikhail Pletnev, Russian National Orchestra, Gans


2007
Label: Deutsche Grammophon - 477 6416 • Format: CD Album • Country: Europe • Genre: Classical • Style: Classical
Download Allegro Con Brio. Cadenza: Beethoven - Beethoven*, Mikhail Pletnev, Russian National Orchestra, Gans

Allegro Con Brio. Cadenza: Beethoven - Beethoven* to you by MetaBrainz Foundation and our sponsors and supporters. Cover Art provided by the Cover Art Archive. Log In Create Account. Concerto for Piano and Orchestra no. Overview Aliases Tags Details Edit. Ludwig van Beethoven — Piano Concerto no. Allegro con brio.

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The Cleveland OrchestraVladimir Ashkenazy. Wiener PhilharmonikerKrystian Zimerman. Jos van ImmerseelTafelmusikBruno Weil.

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Concerto para piano e orquestra no. Allegro com brio. Martha ArgerichLondon Sinfonietta. Berliner PhilharmonikerDaniel Barenboim. Philippe EntremontNetherlands Chamber Orchestra. Lars VogtRoyal Northern Sinfonia. Eliane RodriguesSt. Stephen KovacevichAustralian Chamber Orchestra. Ludwig van Beethoven. I: Allegro con brio.


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8 comments

  1. he is so attuned to the burning lust for life of Beethoven's middle period that bad moods are impossible. Recorded live at the Beethovenfest, the Russian National Orchestra shows the same dark fire as in the recent symphony recordings and Pletnev dazzles, delights and -- most important -- convinces totally.
  2. Concerto for Piano and Orchestra No. 2 in B-flat major, Op. I. Allegro con brio (cadenza: Ludwig van Beethoven) Elisabeth Leonskaja, SWR Sinfonieorchester Baden‐Baden und Freiburg, .
  3. View credits, reviews, tracks and shop for the CD release of Piano Concertos Nos. 1&3 on Discogs.
  4. Concerto for Piano and Orchestra No. 1 in C major, Op. I. Allegro con brio: Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov: Concerto for Piano and Orchestra No. 1 in C major, Op. I. Allegro con brio (cadenza: Ludwig van Beethoven) Philharmonia Orchestra, Rafael Kubelík, Walter Gieseking:
  5. May 15,  · Mikhail Pletnev's vision of Beethoven is his own. It is not a staid, sterile, or academic reading. It is not "solid" or "safe" in the manner that the Gramophone prefers. Pletnev takes risks, he is dangerous, you worry that he is going to lose it completely and maybe borrow a cadenza /5(7).

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